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Truman Capote. The Complete Stories.

T

engo on my bedside two copies of the Complete Stories of Truman Capote . One is the original English version, published by Penguin, an international edition is not sold in the U.S., but that is identical to that translated into English for Anagram, the other version of the book. When you are in this cursiosa situation can be compared not only translations but also the editing and the cover. I say the cover because both contain photographs of the author, and being both very different photographs, called attention to the concept of using a photograph as an advertisement of a book of short stories.

is understandable for several reasons, but the

main public notice of Capote, who became what is known in his country as a celebrity , and here be called years later a famous . This has made has been photographed by the most important contemporary photographers. The image of the English edition is Henri Cartier-Bresson , co-founder of the agency Magnum and one of the most iconic photographers of the twentieth century. Specialist in making street, and creator of the concept of turning point, Cartier-Bresson a portrait of a young Capote, the author of several stories with resonance, but not yet widely recognized.

The image is intriguing, appears to have been in a botanical garden or greenhouse, with a very great taro leaves in the background. Sitting on a bench, cast iron, Capote seems surprised, it seems that just turning, with his left hand in an accidental position. However, his left arm hidden away, and hiding something. Possibly a photographer's appeal, turning it quickly to avoid the forced pose. An exquisite overhead light darkens his face, giving it a gloomy and dark, her dress is very simple, a simple white shirt, somewhat surprising for someone who watched both his clothes contrasts with the thick darkness of the background. His unkempt hair is favorable, and we see a handsome young man with a promising future in the literature, but with a little unsettling, like a savage out of the shadows of the leaves to rob him, or like a carnivorous plant was about to devour . This splendid portrait has been used as cover in many his books and collections, and having taken in 1947, Capote was not yet the writer hailed by international critics as the author of Other Voices, Other .

The photograph of the English edition is completely different in intent and projection. Data from 1949, when Capote and moves in the post-war literary environment like a fish in water. Her work has taken flight, and this picture proves it. It was taken by Cecil Beaton , the photographer of the stars, in Tangiers, a paradise for the generation beatnik (or Sputnik), and meeting bohemian Anglophone literary originality.

The photograph shows a jubilant Capote, thug and spoiled. With legs, arms and open mouth, after jumping difficult to assess, since the image does not show soil or support where he could have done, in a gesture of madness. A shirt knotted at the waist, white pants, a shoe that I feel are of straw ... Capote is dressed in modern writer. The fund, a whitewashed wall, contains a mysterious doors (in the original photography are up to four), possibly related to the function of a device designed for firing clay, ventilation of a silo or something of the style. The image, despite the release vitality and joy, is also melancholy. Capote's shadow in the back wall produces a desperate figure, one hand stretched out for help, perhaps prediction of his death flooded drugs and alcohol. Capote enjoys life, but it comes to an end therefore inevitable.

seems impossible that the two pictures displayed on the same person, and are separated only by two years. Her stories also are extremely different and contradictory. Their tales of youth, where one notices the effort to create interesting and intriguing stories, mixed with some southern describing his childhood in Alabama , that mythical South which have carved many masterpieces of American literature. Others reflect the world New York where he wanted to live, surrounded by parties, fashion, flattery and stars. And yet his most effective stories are those with which recalls his childhood, his own life, in stories of Thanksgiving and Christmas (typical American journals), but undoubtedly the we show not only the real Capote, but the most primitive, sincere and complete.

Unfortunately, the English version, completed by more than half a dozen translators, we lose the word choice and select from their first stories, the simplicity of his stories Yorkers (where we see outlines of Breakfast Diamond is ) and the linguistic richness and even dining in the south. I imagine that with a translation unit, more carefully, the accounts would earn a lot, but not a bad approach to some stories varied in subject and quality, including three or four jewels American fiction of the twentieth century.

In this link, you can listen to Truman Capote read one of his Christmas stories.

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Michael Crichton. First readings. Obituary.

L to recent death of Michael Crichton, announced the news at all as the author of "Jurassic Park" has led me to remember a book I read thirty years ago "The Andromeda Strain." It was the first adult book I read, I would not accompanied by drawings or cartoon speech bubbles. Science fiction, then, was one of the first threshold literary crossed. Not by chance my scientific training has come to become something more or less like a microbiologist ... precisely the theme of "The Andromeda Strain." An attractive book that stayed in the library of my father along with the complete works of José Luis Martín Vigil or the collection of the Goncourt prize. That's nothing.

An artificial satellite back to Earth brings an element, a microorganism, based on carbon chemistry, but no nucleic acids or proteins. The microorganism, called adrómeda (original title "The Andromeda Strain" contains a pun untranslatable) kills all the people haitantes nearest the satellite drop, but two key one of the mysteries of the book. A group of researchers set off the device provided the study and prevention of such risks, although a series of unexpected events do not stop splashing the plot. All this with the top secret warning and the use of false documents. Crichton

studied medicine at Harvard. But he was passionate about literature, using various pseudonyms, he wrote numerous successful attempts until in 1969 he published "The threat" to his real name, while still a student. The book immediately became in a best-seller Crichton and made famous at twenty-seven. Crichton's stories are not only credible by the reader, it is plausible to scientists themselves, his medical career in the most prestigious in the world right permits, as well as postdoctoral fellow at the Salk Institute.

My father liked science fiction. In his library, one of the first books I read was "Rendezvous with Rama by Arthur C. Clarke, one of the mastodons of quality science fiction. Also recently died, Clarke had an unusual life. More unusual for a writer, but more characteristic of an inventor of science fiction, an expert on radar, RAF pilot and champion of extraterrestrial life. The novel is a pefect construction, realistic and detailed, a first contact with an alien monster, but this time harmless. "Rendezvous with Rama" was published in 1972, but I probably read it the same year as "The Andromeda Strain." Of these two books I keep in my library copy I read them decades ago. You know, fetish bibliophile.

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Sputnik, my love

K. , a school teacher, tells his strange Sumire regarding , an extroverted, uninhibited young woman who pretends to be a writer. Sumire falls in love with Myu , middle-aged woman he meets because the girl hired as a secretary and fix-all in the family business. Myu know this love, and even feel sympathy for Sumire, feels responsible for his disappearance during his travels for business and pleasure, and calls K. to help you find it.

are, in every rule, a one-way love triangle of love, where the long loneliness, repressed feelings of love and emotional isolation is the main theme of the book. Or we might think so, because the books Haruli Murakami is, so to speak modern, polyhedral. They have many facets and varied aspects. The elements of loneliness and alienation are also present his his next novel, Kafka on the shore , but in a possibly more realistic. A journey, a quest, a door that can be crossed in certain circumstances of transformation of consciousness. The door you reach other levels of existence, where we see ourselves doing things we usually do, or we like to do.

The author is not explicit about the meaning of these doors, so common in his novels. There are, of course, mere metaphors that we can easily understand. So Therefore, these two novels by Murakami are open to personal interpretation, free and private. The mine owners is the ability to change his life, the capacity we all have to reach a turning point in our ambitions and desires, the power to take away the band and thought that our ego, our own idea of \u200b\u200bourselves, placed in front of our heart. Sumire and Myu suffer similar events, even events which cause significant physiological changes, involving the door that leads us to the reality that lies beyond ourselves.

The differences between the two novels cited are, nevertheless, important. The first-person narrator serves conductive track of the story, and takes us into his feelings much more than the protagonists of Kafka . Kafka door is very clear and concise, in fact corresponds to a physical element, a stone or tile. Here we assume that Sumire has crossed to return to the world through a telephone call to K, where it has little that is good. All will become clear later, it is expected a happy ending, but Murakami removed the explanation to the reader. The life of K. is well organized and methodical, is a thoughtful and intelligent person, compared with the characters of Kafka on the shore. Finally, Sputnik is much shorter almost one long story, which makes many loose ends are left, besides the lack of explanation for the disappearance of the girl. Perhaps as important things in life that we never dominate or control.

Murakami writes a novel haunting and reflective, an incontrovertible piece of literature, undoubtedly is a connoisseur of the deepest feelings of the soul, and also a great constructors of a world full of puzzles and personal mysteries.

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3. Venom and shadow and goodbye Life and Fate

The last was I That helper thee to the crown;
The last was I felt thy tyranny That

N or should one have never anything but a writer is to fill sheets of words and words, phrases, sentences and predicates, in long disquisitions on end, where reason, to infer and observe. If writers do not tell anything ever, if there is literature, if only we could fill the libraries of objects and events, then you might think, and explain our reasoning, and so humans would wander in the world like Jacques Deza, or James, or Jacob, or Jake, a character directly emanated from the mind of Javier Marias, expressed in a monumental work called "Your Face Tomorrow," "Your Face Tomorrow", but has also marched in the pages of "All souls. "Deza, a name that hides the same Mary, without being the same person, English expatriate in England, artist by profession, in the darkest gear British secret service, MI6, MI5, SAS, are just acronyms, abbreviations hiding the depth of state terrorism, the necessary decisions, of justification of the lesser evil.

Jaques, Iago, James, dismembered heart, travels through a novel reading we could go for five years, hiding in a major city, hidden in another nationality without fear but homeless, is able to see, is one of the few people who have chosen Sir Peter Wheeler with the ability to peer into the human soul of others, to check and break down defenses and verbal gestures that we make our character, our thoughts, our intentions. James, or James, has a gift, a gift tiny, and while you exercise, meditate on the nature of their work in the building without a name, in a quiet and unique, with a head cold and sharp, with a name perhaps also abroad, TUPRAS is not possible to be British, or yes, what result, perhaps originating in the West Midlands, or Exmoor or Dartmoor, or one small corner of the empire, possibly Asian, but where. With the right touch of intrigue, work in the service of His Majesty has advantages, Marías is framing all perspectives and frames that have been drawn in the two previous volumes, for, although one should not say, shut the door in a final volume and final demolition. Marias, ie, Javier, or Xavier, or Saveiro, is exhausted, and do not know if you will be able to write another novel, looks tired and empty, after the abandonment of his character returning to Madrid to close a chapter in disgust for their actions, because their heart will never go against your eyes, my heart Shall never countermand mine eye.

What is the book? One should not say, but about all the violence, of machismo, terror, fear, personal favors, power, of immense power and pervasiveness of power, of prescience, of cowardice, of love, obsession, prejudice, blackmail of betrayal, Deza's father, who was jailed by a false accusation by his university colleagues, the only real names that appear in the novel, the Real and Santa-Olalla, who were responsible for Julian Marias away from the university to always an injustice that is applied over and over again, ignoring differences between the dictatorship of Franco and extortion of democratic states. Franco, just the second name of Mary, sad fate of a name, a family . Finally drawings, sketches, notes indicating slightly or unintentionally, such as novelist, writer, scholar, is similar to work to interpret, invent or infer thoughts, but without cruelty, without the need for everything to be in England, for the common good, or your own, that is morally the same. More or less. Marias

up your best, longer and more complete novel, and for my taste, improve their language contains repetitions and strives to tie all the threads in a final conversation with Peter Wheeler, inspired by Sir Peter Russell Hispanist . There wait a few decades to see whether this work meets the espectivativas to be the best novel of the last fifty years, but we should not say anything to-morrow in the battle think of me, and fall thy edgeless sword, despair, and die.

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l A current literary world likes occasionally an important discovery, an unexpected success, a great writer unknown, he may be dead. This cruel and wordy world of books seems to need to shake off the lethargy of updates to "table" of bookstores with a miracle, with an appearance rumbling past, a reminder that off the table there is also literature ... but that also falls on the table.

Life and Fate part of one of these events, and in a triple is like the unexpected news that I speak. Not only for its literary interest, but because the history of publishing success is itself a novel. They are loud more than one thousand pages, which is bringing its author Vasily Grossman , in the small circle of the most ambitious novelists in history. Mann, Balzac, Tolstoy, Pérez Galdós, Proust and a few others as well as Grossman, form this select club of authors milpaginarios . But Grossman also never knew whether his work would be published. Could have suspected that his book would disappear, wiped out by the largest and most cruel dictatorship of all time: the Soviet government. Could have guessed that without effort and determination, his greatest work, would end locked in a basement and not go out as his many friends and colleagues did in the Lubyanka .

The book was seized. He had been sent for publication in 1960, but was immediately banned. Grossman's house was attacked, and seized manuscripts, copies, notes and tapes to his typewriter. But the work escapes, leaving the iron dam communist. A conspiracy, which involved nuclear physicist Sakharov (Nobel Peace Prize), made in 1974 is made a microfilm copy of one of the original survivors, and go to Switzerland. Be published in 1980, 16 years after Grossman's death. In The Soviet Union was not published until the advent of perestroika and glasnost of Gorbachev.

published in Spain in 1988, translated from French. Possibly due to the leftists who triumphs in the cultural life of Spain in those years, the work goes unnoticed. Antonio Muñoz Molina recognizes that is the case, he did not read the novel. It does not seem the time to torpedo the left with a work against communism. So Grossman, and his novel, are ignored, as Solzhetitsyn . It's amazing ability left to forget that the greatest crimes of humanity have been produced by communists. But that's another story.

But the most striking or outrageous as you see, is that to recognize this work in Spain does not lack an unexpected event, but two . And in 2007 it was decided to address the direct translation from Russian and published in a volume edited beautifully. Great writers and critics recognize it as a masterful novel of the greatest works of the twentieth century. As long as one can speak ill of Stalin , the work is finally scheduled by the cultural world as graceful. And not only that, but just entering the album chart, staying several weeks bestseller in Spain.

If we consider the third event unlikely that Grossman was able to write such a work in political conditions in which he lived, we are dangerously close to Miracle capitalized. The work has centered around the Battle of Stalingrad , decisive episode of the second world war and the bloody battle that mankind has played with nearly two million dead. It is not only a novel war: it is anti-Semitism, communism, socialism, the behavior of purging and cleansing that behind the Communist Party were cruelly. It speaks of the huge blackmail which was subjected to hundreds of millions of people by a regime that hid behind the enemy, another dictatorship cruel and morbid, to have total authority. But mostly the novel is about human feelings than two dozen characters before the war, human beings, men and women before the misfortune and disappointment.

Only someone as ambitious, with the ideas so clear, as Grossman could write such a wealth of details and feelings. To compare the novel with War and Peace , and even joked about it in the book. One character is an admirer of Tolstoy , in particular, War and Peace. Contends that only a person who had attended the Napoleonic wars could describe such a success. In the same novel is reminded that Tolstoy did not attend those battles, as occurred before he was born. It is therefore a wink of Grossman, who actually participated in the battle of Stalingrad, and was able to describe at first hand what suffering and despair, and how the people defended their territory for the benefit of the cruel dictator.

Grossman's novel tells the life of a theoretical scientist in the rear, and tells the terror underwent scientists (biologists were particularly sought to be considered anti-revolutionary ideas of Darwin ), the terror of betrayal and jealous tip. But the author tells how a man survives in the most difficult moments, and how love comes in all times and places. The women in the novel does not show less courage than men in battle. Grossman joins us with one of them until efficient gas chamber German, and takes us by the Academy of Sciences in Moscow. He explains the complicated intricacies of the single party and the disgrace of their most loyal advocates. No matter left unturned, no consciousness without worry, no mind unchanged. As these characters he describes, enduring all the misfortune that could befall them, had to be Grossman, who trusted the party to the end of his life abhor.

Grossman was aware of the impossibility of publishing the novel in the world of the Cold War. Likewise, in Spain at the beginning of the eighties still looked evil to criticize the worst dictatorship history. After these great injustice to this masterpiece, now find pleasure in the novel on the shelves of thousands of English homes. This story is itself the reason why it has become successful and has appeared on the news desk of the library. As civil war in Spain is a fashion in novels, it is fashionable in Europe World War II. The echo of this fashion may have helped to make that hole Grossman in memory of Muñoz Molina and all of us.

This unprecedented success has generated the publication of a sequel by the publisher, Galaxy / Gutenberg. On "Life and Fate" tells the vicissitudes of the book, written by Todorov, Etkind and the same Grossman. Although I do not think it reaches the table, it sure is interesting to delve into the diverse and tiny miracles that have made possible the most important publishing event in Spain in 2007. And to continue the wheel.

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know how to lose. David Trueba

D avid Trueba was born with star. Before his 40 years as an actor, film director and screenwriter of prestige, novelist and journalist widely recognized. The apparent ease and simplicity enntre moving the worlds film, literary and journalistic makes a special person, a representative of the XXI century cultural activity, a figure that seems overwhelming to do good all-encompassing. One can only wonder if his family has something to do with it, if the doors that appear closed to most easily have been open calls or friendships. It

also think if you can detach enough from hectic life and such a connection with reality to write a novel substance. I also find it difficult to abstract from what I know Trueba's life to read the novel in an objective and unbiased. Could now openly says that is a solid work clothing and bills. And may assume that there is a but.

A handful of characters, with nothing exceptional to have been elected by the author, form the framework of a story that is actually three separate major stories. Sylvia, a teenage girl a little misfit who lives with his divorced father, Lorenzo. Leandro's father Lorenzo, who has a torrid sexual episode with a prostitute who takes him to ruin. And Leanne, a failed business and labor who commits a crime. Behind them, several characters who bring them love, friendship, passion, fortune or misfortune, were already looking for them or not. All the stories end in separation making the novel a sad piece of contemporary society.

who these people are relatives does not seem nothing more than a coincidence, because these stories barely touch or are related, so are actually three separate novels, with very few contact points. This leads to a lack of strength of argument, even though the theme of failure and loneliness appellants serve as connecting thread between the stories.

also note in the novel in a hurry to provide data about the characters in the first chapters. In this I remember a film script, which puts at the characters with a summary of his life. The third person chosen for the ubiquitous narrative gives a hardness that is perhaps the most striking feature of the book. That voice can describe ubiquitous actions that cost them the support to the characters if any made, even to themselves. Unfortunately, that makes some distance from the characters, and watching them like a movie, not as a novel, where appropriate with a narrative might get in the mind of Sylvia and Lawrence. There are also some minor characters who behave strangely, unexplained, since the author does not elaborate on his reasons and it just gives clues, in contrast to the sometimes very detailed description of the actions and thoughts of the protagonists . Perhaps there are too many side, which again reminds me of a movie.

Not all that I have found a novel unworthy or without merit, and that the overall result is satisfactory. In a curious argument interesting combination of universal themes and issues specific to English society, that constitutes a reflective piece that gives us much to think. It is not easy or pleasant story, and although there are some topics too obvious (the divorced mother and Argentine soccer, among others) can appear as paradigms or symbols, closer to the metaphor of reality. The loose ends left by the novel are, to some extent, pending the characters and ourselves. Like life.

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